Among the many form of Balinese dance drama, Arja corresponds most nearly to the idea of opera in the western theatre or rather musical comedy. It is one of the most popular theaters in Bali, derived form Gambuh in style but with a more sentimental repertory of plays, in which singing and spoken lines, stylized dance scenes and amusing buffoonery are combined. Here is the place where the greater part of the casting is played by women primarily young girls. In many villages the local Arja is primarily a recreational club for teenagers of both sexes.
The accent in Arja is
on the intrigue in the story, on the singing and last but not least on
the comedy. The gambelan consisting of percussion (bamboo zither) and
flute plays the part of an accompaniment, not so dominating as in the
Topeng, sometimes for long periods falling out together in order that
the comic dialogue may be audible. Like the Topeng, if the comedians
are skilled many of the lines and jokes are topical and improvised on
the spur of the moment.
It is rather difficult for foreigners
to watch this performance since the time schedule is from late at night
to the dawn. But for the populace it does not make any difference. The
themes of the story are also based on romantic or mythical versions of
Javanese history known as the Panji story. This dance is so beloved by
the Balinese populace, for in it they are treated to varied emotional
stimulants and impressions such as excitement, melancholy and farce.
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